Primal Scream – Screamadelica
My Bloody Valentine – Loveless
Blur – Leisure
Nirvana – Nevermind
Pixies – Trompe Le Monde
Terminator 2: Judgment Day (dir. James Cameron)
Silence Of The Lambs (dir. Jonathan Demme)
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (dir. Michael Pressman)
Barton Fink (dir. Joel Coen/Ethan Coen)
Bill & Ted’s Bogus Journey (dir. Peter Hewitt)
– “The Hard Goodbye”, Frank Miller’s first Sin City story, begins its serialization in Dark Horse Presents #51.
X-Force #1 by Rob Liefeld & Fabian Nicieza sells 4 million copies, making it one of biggest-selling comics of all time.
Bone by Jeff Smith begins.
– X-Men #1 by Chris Claremont & Jim Lee sells 8.1 million copies, making it the biggest-selling single issue from an American publisher, a record it still holds.
Sandman #19 by Neil Gaiman & Charles Vess becomes the first comic to win a World Fantasy Award; it remains the only comic to do so, as the rules for the award were changed soon after to disallow a comic from winning again.
Twin Peaks airs its final episode on June 10, 1991.
Posted in comics, movies, music, Uncategorized
Tagged 1991, barton fink, bill & ted's bogus journey, blur, bone, charles vess, chris claremont, coen brothers, edward pressman, fabian nicieza, frank miller, james cameron, jeff smith, jim lee, jonathan demme, leisure, loveless, My Bloody Valentine, neil gaiman, nevermind, nirvana, peter hewitt, pixies, primal scream, rob liefeld, sandman, screamedelica, silence of the lambs, sin city, teenage mutant ninja turtles II, terminator 2: judgment night, trompe le monde, Twin Peaks, x-force, X-Men
TEENAGE MUTANT NINJA TURTLES (d. Steve Barron)
HOME ALONE (d. Chris Columbus)
WILD AT HEART (d. David Lynch)
EDWARD SCISSORHANDS (d. Tim Burton)
GOODFELLAS (d. Martin Scorcese)
DEPECHE MODE – VIOLATOR
PIXIES – BOSSANOVA
HAPPY MONDAYS – PILLS ‘N’ THRILLS AND BELLYACHES
MORRISSEY – BONA DRAG
THE LA’S – THE LA’S
SPIDER-MAN #1 by Todd McFarlane
GIVE ME LIBERTY by Frank Miller & Dave Gibbons
Cable debuts in the pages of NEW MUTANTS #87.
Frank Einstein A.K.A. Madman debuts in CREATURES OF THE ID #1.
AKIRA by Katsuhiro Otomo concludes after eight years in the pages of Young Magazine.
Posted in Uncategorized
Tagged akira, bona drag, bossanova, cable, chris columbus, creatures of the id, dave gibbons, David Lynch, Depeche Mode, edward scissorhands, frank einstein, frank miller, give me liberty, goodfellas, happy mondays, home alone, katsuhiro otomo, laura dern, madman, mike allred, morrissey, new mutants, nicholas cage, pills n thrills n bellyaches, pixies, rob liefeld, robert deniro, spider-man, steve barron, teenage mutant ninja turtles, the la's, tim burton, Todd McFarlane, violator, wild at heart, young magazine
HEY GUYS! Know who’s a comic book great?! That’s right!
Because this video says so:
Just to let you know, I don’t hate Rob Liefeld or anything. He seems like a nice enough guy with genuine enthusiasm for comics. But comic book great? Because X-Force #1 sold 5 million copies??? I think that has more to do with the polybagged trading cards than with anything else. But watch these videos, and enjoy the awkward repartee between Liefeld and Stan “The Man” Lee.
Thanks to The Comic Alliance.
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Darwyn Cooke began his Batman association not with comics, but with animation. Having worked for years in his native Canada as a graphic designer, Cooke wanted to break into the professional world of his first love, comic books. However, the industry at the time was less than responsive to his Jack Kirby meets Alex Toth style, as enamored by Rob Liefeld clones as it was then. He did however get work on the great Batman: The Animated Series as a storyboard artist.
He finally broke into comics with a Batman one-shot he both wrote and drew, called Batman: EGO.
He really broke through with his Elseworlds miniseries DC: The New Frontier, a story that imagines what it might be like if DC continuity matched up to when its characters were introduced. This allowed Cooke many opportunities to draw 50s and early 60s inspired art-deco designs, clothing, etc., which is a bit of a fetish with him.
He also drew the Jeph Loeb-scripted Batman/Spirit one-shot, which saw the Caped Crusader meet Will Eisner’s beloved masked avenger, and which also acted as a prelude to his own relaunch of the character.
And his version of Batman got a toy.
Posted in 70 aspects of batman, art, comics
Tagged 70 aspects of batman, batman, batman: ego, batman: the animated series, Canada, darwyn cooke, dc: the new frontier, jeph loeb, madman, rob liefeld, superman, the spirit, will eisner, wolverine, x-statix
The Soul Assassins were a crew of hip-hop artists under the guidance of Cypress Hill’s DJ/producer, Muggs. The main groups associated with Soul Assassins were Cypress Hill, House of Pain and Funkdoobiest. All three groups consisted of the following line-up: a lead MC that rapped 90% of the time, a useless 2nd MC that just repeated lines here and there, and a DJ. All three groups incorporated their ethnicity into their image and lyrics, even if it wasn’t always necessarily true. Cypress Hill has always been presented as a Hispanic group but Muggs himself is a NYC Italian. House of Pain’s DJ Lethal is LATVIAN! not Italian.
All of the beats were either by Muggs, the group’s DJ’s, or a dude named T-Ray, but they were all in Muggs’ style. This situation reminds me of the old days of Image Comics when guys like Todd McFarlane and Rob Liefeld would hire up and coming artists and make them draw just like Todd McFarlane and Rob Liefeld. House of Pain and Funkdoobiest each released 2 albums before they tired of Muggs basically being in charge of their albums and left Soul Assassins. Other artists, including Fatal, The Whooliganz and Call o’ Da Wild joined Soul Assassins but none of them could secure record deals. In 1997, Muggs released a solo album under the Soul Assassins name, featuring heavy hitting MCs of the day like RZA and Dr. Dre. In the end, this proved to be the last good Soul Assassins album, as Cypress Hill became lame only a year later with synthesizer beatz. Still, the Soul Assassins albums from 1991-1997 are all very good and represent an interesting period in hip-hop.
1991 Cypress Hill
1992 House of Pain
1993 Which Doobie U B? by Funkdoobiest
1993 Black Sunday by Cypress Hill
1994 Same As It Ever Was by House of Pain
1995 Brothas Doobie by Funkdoobiest
1995 Cypress Hill III: Temples of Boom
1996 Unreleased & Revamped by Cypress Hill
1997 Muggs Presents the Soul Assassins Chapter 1
Posted in history, music, reviews
Tagged artists, Black Sunday, Brothas Doobie, Call o' Da Wild, Cypress Hill, Cypress Hill III: Temples of Boom, DJ, DJ Lethal, Dr. Dre, Fatal, Funkdoobiest, hip hop, Hispanic, House of Pain, Image Comics, Italian, Latvian, MC, Muggs, Muggs Present the Soul Assassins Chapter 1, NYC, NYC Italian, rob liefeld, RZA, Same As It Ever Was, Soul Assassins, synthesizer, T-Ray, The Soul Assassins, Todd McFarlane, Unreleased & Revamped by Cypress Hill, Which Doobie U B, Whooliganz