Tag Archives: rob liefeld

20 YEARS AGO: 1991

MUSIC

Primal Scream – Screamadelica

My Bloody Valentine – Loveless

Blur – Leisure

Nirvana – Nevermind

Pixies – Trompe Le Monde

FILM

Terminator 2: Judgment Day (dir. James Cameron)

Silence Of The Lambs (dir. Jonathan Demme)

Teenage Mutant Ninja Turtles II: The Secret of the Ooze (dir. Michael Pressman)

Barton Fink (dir. Joel Coen/Ethan Coen)

Bill & Ted’s Bogus Journey (dir. Peter Hewitt)

COMICS

– “The Hard Goodbye”, Frank Miller’s first Sin City story, begins its serialization in Dark Horse Presents #51.

X-Force #1 by Rob Liefeld & Fabian Nicieza sells 4 million copies, making it one of biggest-selling comics of all time.

Bone by Jeff Smith begins.

X-Men #1 by Chris Claremont & Jim Lee sells 8.1 million copies, making it the biggest-selling single issue from an American publisher, a record it still holds.

Sandman #19 by Neil Gaiman & Charles Vess becomes the first comic to win a World Fantasy Award; it remains the only comic to do so, as the rules for the award were changed soon after to disallow a comic from winning again.

TV

Twin Peaks airs its final episode on June 10, 1991.

– Greg

20 YEARS AGO: 1990

MOVIES

TEENAGE MUTANT NINJA TURTLES (d. Steve Barron)

HOME ALONE (d. Chris Columbus)

WILD AT HEART (d. David Lynch)

EDWARD SCISSORHANDS  (d. Tim Burton)

GOODFELLAS (d. Martin Scorcese)

ALBUMS

DEPECHE MODE – VIOLATOR

PIXIES – BOSSANOVA

HAPPY MONDAYS – PILLS ‘N’ THRILLS AND BELLYACHES

MORRISSEY – BONA DRAG

THE LA’S – THE LA’S


COMICS

SPIDER-MAN #1 by Todd McFarlane

GIVE ME LIBERTY by Frank Miller & Dave Gibbons

Cable debuts in the pages of NEW MUTANTS #87.

Frank Einstein A.K.A. Madman debuts in CREATURES OF THE ID #1.

AKIRA by Katsuhiro Otomo concludes after eight years in the pages of Young Magazine.

G.



Comic Book Greats: Rob Liefeld

HEY GUYS! Know who’s a comic book great?! That’s right!

 

RobLiefeld

 

ROB LIEFELD!

 

Because this video says so:

 

 

 

 

 

 

Just to let you know, I don’t hate Rob Liefeld or anything. He seems like a nice enough guy with genuine enthusiasm for comics. But comic book great? Because X-Force #1 sold 5 million copies??? I think that has more to do with the polybagged trading cards than with anything else. But watch these videos, and enjoy the awkward repartee between Liefeld and Stan “The Man” Lee.

 

 

Thanks to The Comic Alliance.

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70 Aspects Of Batman: 7

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DARWYN COOKE

Darwyn Cooke began his Batman association not with comics, but with animation. Having worked for years in his native Canada as a graphic designer, Cooke wanted to break into the professional world of his first love, comic books. However, the industry at the time was less than responsive to his Jack Kirby meets Alex Toth style, as enamored by Rob Liefeld clones as it was then. He did however get work on the great Batman: The Animated Series as a storyboard artist.

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He finally broke into comics with a Batman one-shot he both wrote and drew, called Batman: EGO.

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He really broke through with his Elseworlds miniseries DC: The New Frontier, a story that imagines what it might be like if DC continuity matched up to when its characters were introduced. This allowed Cooke many opportunities to draw 50s and early 60s inspired art-deco designs, clothing, etc., which is a bit of a fetish with him.

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He also drew the Jeph Loeb-scripted Batman/Spirit one-shot, which saw the Caped Crusader meet Will Eisner’s beloved masked avenger, and which also acted as a prelude to his own relaunch of the character.

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And his version of Batman got a toy.

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D. COOKE!

G.

The Soul Assassins

The Soul Assassins were a crew of hip-hop artists under the guidance of Cypress Hill’s DJ/producer, Muggs. The main groups associated with Soul Assassins were Cypress Hill, House of Pain and Funkdoobiest. All three groups consisted of the following line-up: a lead MC that rapped 90% of the time, a useless 2nd MC that just repeated lines here and there, and a DJ. All three groups incorporated their ethnicity into their image and lyrics, even if it wasn’t always necessarily true. Cypress Hill has always been presented as a Hispanic group but Muggs himself is a NYC Italian. House of Pain’s DJ Lethal is LATVIAN! not Italian.

All of the beats were either by Muggs, the group’s DJ’s, or a dude named T-Ray, but they were all in Muggs’ style. This situation reminds me of the old days of Image Comics when guys like Todd McFarlane and Rob Liefeld would hire up and coming artists and make them draw just like Todd McFarlane and Rob Liefeld. House of Pain and Funkdoobiest each released 2 albums before they tired of Muggs basically being in charge of their albums and left Soul Assassins. Other artists, including Fatal, The Whooliganz and Call o’ Da Wild joined Soul Assassins but none of them could secure record deals. In 1997, Muggs released a solo album under the Soul Assassins name, featuring heavy hitting MCs of the day like RZA and Dr. Dre. In the end, this proved to be the last good Soul Assassins album, as Cypress Hill became lame only a year later with synthesizer beatz. Still, the Soul Assassins albums from 1991-1997 are all very good and represent an interesting period in hip-hop.

1991 Cypress Hill

1992 House of Pain

1993 Which Doobie U B? by Funkdoobiest

1993 Black Sunday by Cypress Hill

1994 Same As It Ever Was by House of Pain

1995 Brothas Doobie by Funkdoobiest

1995 Cypress Hill III: Temples of Boom

1996 Unreleased & Revamped by Cypress Hill

1997 Muggs Presents the Soul Assassins Chapter 1

kicknz

related posts:

i hope this is not real

is rob liefeld now in the business of photoshopping spreads for mexican magazines?

compare to:

it’s not just rob’s women that have always amazed me, but rob’s men also seem to have similar (painfully large breasts and hips ), but opposite (painfully large abdomens) problems…

and in closing, a collection of levi’s 501 button-fly jeans commercials by spike lee. old rob is featured in one of them!

scott

photo stolen from photoshop disasters