Jae Lee is an American comic book artist best known for his work on Inhumans and The Sentry, both with Paul Jenkins.
Lee first rose to prominence in the industry for his work on Marvel’s Namor the Sub-Mariner, Inhumans (for which he won an Eisner Award), and The Sentry, as well as his creator-owned character Hellshock at Image Comics.
Lee also worked with artist Richard Isanove and writers Robin Furth and Peter David on Marvel Comics‘ The Dark Tower comic series, based on Stephen King‘s The Dark Tower novels.
I remember first seeing Jae Lee’s stuff way back in the early 90s, in some of Marvel’s X-books and Namor. His style back then was much more messy and chaotic, but still good. Over the years his art became more refined to the point you see here. I’m not sure if he’s done much, if any interior Batman stuff: most of the pieces here were done as covers for the Batman: Gotham Knights series from a bit back. Even though I really enjoy his stuff, I’ve read little of it over the past 15 years. Oh well, I guess I’ll just resign myself to looking at beautiful pieces like this one:
Posted in 70 aspects of batman, art, comics
Tagged 70 aspects of batman, batman, batman: gotham knights, deadshot, hellshock, Image Comics, jae lee, mr. freeze, namor, namor the sub-mariner, paul jenkins, Peter David, Stephen King, the dark tower, the inhumans, the penguin, the sentry
After the new cartoon series started in the early 2000s, someone decided a tie-in comic series was required. Enter Dreamwave Productions. Dreamwave was a real comics-industry success story in the early 2000s, a small Canadian firm that came from out of nowhere to land some big licenses, like Transformers, and produce some of the best selling titles on the market.
Editorial time: Dreamwave was basically a gigantic sham company, a true piece of shit. The art style they employed was, while technically proficient, an extremely generic anime-style delivery. The company spent huge amounts of money on office space and vehicles for the core staff while often bilking their creative talent out of their pay. Fuck Dreamwave. End editorial.
So for their new series, Dreamwave hired Peter David to write, an ironic choice given the fact that he’s Erik Larsen’s archenemy. A talented unknown by the name of LeSean was hired to provide art. David’s writing was usually very, very slow and boring, probably driving away most of the interested fanboys that would have picked up the series. The series was colored using computers with mixed results. While the images could sometimes be striking they also come across as rather stale.
Unlike the Archie series, Dreamwave had no mainstream distribution. Their comics were sold exclusively on the same comic book store shelves as the concurrently running Mirage series, likely confusing many nerds. In spite of that, sales were very strong but not strong enough for a piece of shit company like Dreamwave and the series was cancelled after 7 issues, in spite of averaging about 22,000 in sales per issue (aka $66,000 in revenue per issue). It’s just as well that it was cancelled. BORING.
Dreamwave Productions TMNT Publication History
Teenage Mutant Ninja Turtles #1-7 (2003)
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Posted in animals, art, comics, history, tmnt
Tagged Dreamwave, LeSean, Ninja Turtles, Pat Lee, Peter David, tmnt, Transformers