tiger can’t talk he’s got shoes to shine, said it’s pretty dry
we could try the guy up on first and fifty-ninth if he’s still alive
the callgirl stalls and lets her voicemail take it
she says hey i ain’t here besides i quit that business
the door was locked so we knocked on the next one
and here’s this guy he’s got a bullet-proof vest on
said you guys look desparate,Ill give you an address
said you guys look gorgeous, dig all that blistex
So my resolution this year is to listen to more music. Yes, I realize this is like a heroin addict resolving to shoot up twice as much as he did the previous wasted year. However… I’m also resolving to listen to more NEW music, which is something I really slacked off on in 2010.
Here is where I tell the world about it…
For the most part, I’m not going to write reviews about this stuff. I’ll just point you guys in the right direction. If I post it, that means I think it’s good. Give it a listen and tell me I’m wrong. I dare you!
First off, I’m already falling behind on the new music thing. The only new album I’ve listened to is Bright Eyes’ new album, “The People’s Key”. This album isn’t out yet (it’s scheduled for release 2/15). Whoops! But you can hear it for free, and in it’s entirety, on NPR, so don’t feel bad.
Okay… so here’s the first track, “Firewall”. Like on most Bright Eyes albums (if not all?) it begins with some spoken word nonsense. This time, the atmospheric composition behind the vocal sample begs for these boys to attempt an entire ambient album. Maybe I’ll suggest that.
Oh yes… and any song that references a Macaw named Jules Verne might automatically end up in my favorites pile.
It was hard to pick which song would represent the album the best. So I just chose my current favorite, “White Flag”, featuring Bashy, Kano, and the Lebanese National Orchestra for Oriental Arabic Music.
Well, it’s hard to be believe, but we’ve already reached the halfway mark of this little journey we are calling “Golden Veins Singles Club.” If you thought the first half was great, just wait until you hear what’s coming up….
Anyway, let’s see what Greg has to say about the two tracks…
I don’t have much to say about “Being Strangled”; it’s mainly Scott’s baby. Micah, another stalwart of the Des Moines music scene sings backing vocals and plays guitar on this one. It’s a great song…it has a palpable overcast day feeling. I like singing someone else’s words and melodies, and I think Scott writes really good lyrics and melody. He comes at it in a different way than I do. “US MERE MORTALS”
One night while screwing around with beats and keyboards, we came up with the foundation for “Us Mere Mortals”. I made the initial beat and put in the harp notes, Ryan added the keyboard trills and Scott basically wrote the other two sections of the song. I tried writing words and melody to the whole song, and we even thought about getting in someone to rap over a part, but ultimately we felt the song worked best with main vocals saved to the very end. Scott also added in the various spoken-word samples. Hopefully the cumulative effect of these elements makes up, at least in some part, for the lack of rapping.
Also included with this single is a brutal remix by our very own Matt Bad, as well as fantastic artwork by Michelle Holley.
The single drops today, so get to it!
and, as always, you can check out/join the club here!
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (dir. Michael Pressman)
Barton Fink (dir. Joel Coen/Ethan Coen)
Bill & Ted’s Bogus Journey (dir. Peter Hewitt)
– “The Hard Goodbye”, Frank Miller’s first Sin City story, begins its serialization in Dark Horse Presents #51.
X-Force #1 by Rob Liefeld & Fabian Nicieza sells 4 million copies, making it one of biggest-selling comics of all time.
Bone by Jeff Smith begins.
– X-Men #1 by Chris Claremont & Jim Lee sells 8.1 million copies, making it the biggest-selling single issue from an American publisher, a record it still holds.
Sandman #19 by Neil Gaiman & Charles Vess becomes the first comic to win a World Fantasy Award; it remains the only comic to do so, as the rules for the award were changed soon after to disallow a comic from winning again.
Twin Peaks airs its final episode on June 10, 1991.
Willy Wonka & The Chocolate Factory (dir. Mel Stuart)
Dirty Harry (dir. Don Siegel)
– Jack Kirby kicks off his main Fourth World saga with New Gods #1.
Swamp Thing debuts in #92 by Len Wein & Bernie Wrightson.
Blackmark by Gil Kane, an early graphic novel, is published.
Ra’s Al Ghul debuts in Batman #232 by Dennis O’Neil & Neal Adams.
Amazing Spider-Man #96-#98 by Stan Lee & Gil Kane published without Comics Code Authority Seal, due to storyline relating to drug use; an early victory against comics censorship after the witch hunts of the 1950s.
"Being Strangled" b/w "Us Mere Mortals" (02/08/11)
"Billy and the Black Spot Under an Ugly Moon" (01/11/11)
"Radio Prohibidas" b/w "Never Know" (01/11/11)
"Merry Christmas (Don't Forget To Write)" (12/25/10)
"I'll Take The Bullet For You" b/w "Zenith/Nadir" (12/14/10)
"Warholism (Is Polaroiding)" b/w "Among The Saints" (11/09/10)
"Frantic Prayer" b/w "Kicking The Tires" (10/12/10)
"Gravitational Collapse" b/w "Carcinogenic Kiss" (9/14/10)