Frazer Irving (born in the 1970s, Ilford, Essex) is a British comic book artist known for the 2000 AD series Necronauts. Since breaking into the American market he has worked on a number of superhero titles, including a number with Grant Morrison.
I love when artists who seem like they shouldn’t draw superhero comics draw superhero comics: I’d place Frazer Irving in that category. His art seems perfectly suited to atmospheric horror stories, so to see his style applied to Batman and Robin is to see two potent elements combine to make a much more potent whole.
Irving’s first work with Morrison was on Klarion, part of the latter’s Seven Soldiers megaseries. His first Morrison/Batman art appeared in Batman: The Return of Bruce Wayne #2, which saw the titular hero recast as a Puritan detective (see above) during his travels through the timestream.
He recently completed work on Morrison’s final arc of the Batman And Robin title he helped initiate. Irving was given ample space to display his gothic art on characters like Professor Pyg…
…and, of course, The Joker.
This may sound hyperbolic, but I think Irving’s Joker has for me quickly joined the highest echelon of Clown Prince depictions (Brian Bolland’s at #1). He looks so diseased and sinister. Let’s luxuriate in his Joker’s toxic glow: